Music catalogue
SOLO
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Huraké : Revisited (2024) — for flute — ca. 11’00"
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Grooves & Whispers (book 2) (2023) — for piano —ca. 7'00"
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Huraké (2023) — for flute — ca. 8’30"
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Grooves & Whispers (book 1) (2020) — for piano —ca. 5'30"
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Cuaderno de guitarra (2019) — for guitar — ca. 10’00"
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Desnudo (2017) — for saxophone — ca. 6’00"
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Memento (2015) — for piano — ca. 6’45"
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Apuntes interrumpidos (2011) — for guitar — ca. 4’00"
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INSTRUMENTAL ENSEMBLE
(2 - 8 MUSICIANS)
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Preliminary studies on fluidity and sensuality (2023) — for bass clarinet and marimba — ca. 7’30”
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Souvenir d'une musique à venir (Prise 2) (2022) — for oboe, viola and sheng — ca. 7’00”
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Souvenir d'une musique à venir (Prise 1) (2022) — for oboe, viola and sheng — ca. 4’00”
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Débris d'instants furtifs (2021) — for bass clarinet, viola and percussion — ca. 10’00”
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Triptyque au parfum antique (2021) — for baroque ensemble — ca. 6’30”
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Laconísmos y pavadas (2018) — for two accordions and two percussionists — ca. 6’00”
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Acople, ou la simplicité du geste (2017) — for three clarinets — ca. 3’00”
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Kaleidosroloi (2017) — for one grand piano and five children — ca. 3’00”
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Seamless Patterns (2014) — for flute, clarinet, piano, violin and cello — ca. 6’00”
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Miniaturas (2010) — for flute and clarinet — ca. 10’00"
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INSTRUMENTAL ENSEMBLE
(9+ MUSICIANS)
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On the ethereal nature of bioluminescence (2023) — for string orchestra or 10 soli strings — ca. 5’00”
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Cantigas do desassossego (2019) — for female voice, 4 percussionist, ensemble and electronics — ca. 15’00"
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Smudges over dripping ink (2018) — for piano and ensemble — ca. 7’15"
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Percutativo (2016) — for voice, 4 percussionists and chamber ensemble — ca. 10’00”
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VOCAL
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Cantigas do desassossego (2019) — for female voice, 4 percussionists, ensemble and electronics — ca. 15’00"
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Percutativo (2016) — for voice, 4 percussionists and chamber ensemble — ca. 10’00”
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Textos invisibles (2015) — for voice, flute, clarinet, piano, violin, viola and cello — ca. 9’00”
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MIXED: INSTRUMENTS & ELECTRONICS
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Cantigas do desassossego (2019) — for female voice, 4 percussionists, ensemble and electronics — ca. 15’00"
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La nature de l’Importun (2018) — for alto saxophone and electronics — ca. 7’30"
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Glitch (2016) — for piccolo flute, percussion and electronics — ca. 6’30"
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ELECTRONIC & ACOUSMATIC
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Gloup Splash Blup (2022) — immersive sound installation — ad. lib
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Junkyard Construction: Why stop the swing? (2020) — acousmatic piece — 08’15”
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NebuloRitmia (2020) — for electronic devices with 6 interpreters — ca. 17’00"
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Aguanilé (2017) — acousmatic piece — 02’06”
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Untitled (2014) — acousmatic piece — ca. 05’08"